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Hitting Different: NaNoWriMo 2020

Isolation - The Monsters I Keep
Photo by Francois Hoang on Unsplash.

Last year, I jumped into National Novel Writing Month (NaNoWriMo) in the hopes of washing myself of self doubt and depression resulting from years of struggling through a novel that just wasn’t working. The challenge of writing 50,000 words on a new project — something fun and exciting — was meant to help me shift away from a need to achieve the perfect novel (or perfect for me, anyway).

It worked.

Writing last year’s brought the joy of writing back. The Monsters I Keep is apocalyptic YA horror novel about a teenage girl trying to survive in a world full of monsters. The way the novel was shaped allowed me to tell the story in shorter snippets (more aligned with how I write as a poet). The story presented it’s own challenges, but it was also a pleasure to write, providing a world I was eager to dive into.

It was also a story that I didn’t finish. Last year during NaNo, I managed to write some 40,000 words. Over the course of the following year, I added several thousand more. The first two parts are fairly well drafted, but the third part, the conclusion needs to come together.

Last year, when I started The Monsters I Keep, the world was a different place. I wrote the first two parts of this novel before COVID and all the chaos that 2020 has wrought.

Now, looking back on the themes of isolation and facing off against a world full of monsters hits a bit different. Turns out, I have new levels of personal emotional experience to draw from.

As I start in on part three of my character is coming back to people. It seems strange somehow — after experiencing everything this year has had to deliver —  to be writing the section of the novel that’s about coming back to hope.

Then again, maybe it’s the perfect time to be writing about hope.

Good or bad, I’d like to finish The Monsters I Keep. It will still be only a draft, one that will need significant amount of work to make fully readable. But if I can pull this off, then it will be first full novel draft I’ve completed. That would be an amazing accomplishment.

Are you participating in NaNoWriMo this year? How is it hitting different for you? 

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The Vibrant Effusive Creative Spark

“When writing a novel, that's pretty much entirely what life turns into_ 'House burned down. Car stolen. Cat exploded. Did 1500 easy words, so all in all it was a pretty good day.”
Photo by Shane Rounce on Unsplash

Creativity is a strange, nebulous thing — shifting between vast emptiness and the glorious noctilucence of starlight.

I’m currently in a state of vibrance, and Neil Gaiman’s quote about writing novels has never felt more appropriate. The world at large is facing massive challenges (to put it lightly) on a number of fronts, struggles that should be acknowledged and addressed — but, hey, I’m also in a state of vibrant creativity, so as far as my brain goes, it’s not all bad.

Here’s a few of the news and projects that have me in a state of joy right now:

• My chapbook, Twelve: Poems Inspired by the Brothers Grimm Fairy Tale (forthcoming from Interstellar Flight Press) has been up on NetGalley for a few weeks now — and the responses coming in have been mostly positive, such as this lovely review.

• For a long time, I’ve wanted to have my own places to write about horror movies, TV shows, video games, and dark lore. Although I’ve written about some of those things here, I’m finding it a bit too cluttered and I would like this blog to be dedicated to books and writing. Thus, I’ve finally created Once Upon the Weird, a place for all things unsettling and strange. A website is in the works, but in the meantime I’ve launched a newsletter (first issue to go out tomorrow). I’m honored by the early response. Thank you to everyone who has already subscribed.

• I’ve returned to working on my YA apocalyptic horror novel (which I started in November), progressing into the third act. A part of me feels like this should be the final section of the book, another part wonders if I need to explore the characters more before I wrap up. But the important bit is that the work is progressing and I’m feeling good about where it’s going.

• I’m starting work on a new horror movie script idea that swooped in and smacked me upside the head. Last week, I cleared my bedroom story board so that I could start putting up characters, scenes ideas, and other notes in order to begin preliminary work on the script. Movie scripts are such a different and interesting beast from any other kind of writing, and I’m fascinated by the unique challenge.

• Another new horror novel idea also came to me in the form of a Stephen King-esque nightmare, in which a girl with psychic powers takes up residence in a small town, where there’s a haunted apartment block. The idea is in the early, early stages, but I’ve started taking notes and have even dropped down a few loose scenes. This may be what I work on after I finish my current novel.

And that’s just to name a few ideas and projects that are in progress right now.

Moments of creative flight can be fleeting. Just as quickly as creativity floats into view, it can drift away again. I’m attempting to seize the moment and engage with the work as much as possible while this spark is present in my life.

As I’m in abundance, I send this blessing out to you, friends. May your creativity spark with new life, may it thrive and grow, may it cultivate and bear fruit. May your art, your words, your craft, your cooking, your endeavors gather and linger in your days and fill you with joy.

More Good Stuff

A Purrfect Fit: 80 Years of Catwoman Costumes by Jessica Plummer examines the many various ways that artists have interpreted what it means to be a sexy, desirable woman.

Chuck Wendig on how Bill Watterson through Calvin and Hobbes prepared us for quarantine and the world we live in:

“Calvin went to school, had a loving family, but even still, he felt alone. And his imagination gave him a way not to feel that anymore.

In lockdown, we’re allCalvin.”

Study shows that the majority of authors have the uncanny experience of hearing their characters speak.

“I would rather wonder than know,” said May Rueffle in a recent Tin House interview. “…I think wondering is a way of inhabiting and lingering. There seems to be more dwelling. To dwell, inhabit, and linger. I’m interested in those things. And you can do that when you don’t know.”