Hi, lovelies. Coming in a little late this month, here are the books, television, games, and podcasts I consumed.
Books
I read two fantastic poetry books this month. The first was Catrachos by Roy G. Guzmán, whose work always makes me feel awash in rich, vibrant language. Described as being “part immigration narrative, part elegy, and part queer coming-of-age story,” this stunning book blends pop culture and humor with cultural experience to provide a powerful and riveting collection of poems. I recently interviewed Guzmán about their new book, which will appear on the New Books in Poetry podcast soon.
Sarah J. Sloat’s Hotel Almighty is a gorgeous collection of erasure poetry, using the pages of Stephen King’s Misery.  Each of the pages combines evocative poetry with the visual treat of vibrant collage art. Some examples of her can be found at Tupelo Quarterly.
What should be no surprise to anyone who reads my blog at this point is that I love Junji Ito — a writer and artist who continues to prove himself a master of the horror genre with his graphic novel, No Longer Human. The story follows the life of a man who feels disconnected with humanity to the extent that he finds it incredibly anxiety inducing — and at times outright horrifying — to interact with other people My full review is 
After watching Hellier, I’ve taken an interest in the idea of synchronicity (or meaningful coincidences), which is often discussed on the show. Carl Jungthe concept in his paper, Synchronicity: An Acausal Connection. The paper presents his theories on synchronicity, which he ties to psychology, psychic phenomena, quantum mechanics, and and the collective unconscious. For Jung, synchronicity was a defining principle of nature as valid as space, time, and causality. It makes for a fascinating read, even if some of the technical aspects of the paper were a bit hard to follow. I found it so interesting that I put together a 
The Good House by Tananarive Due is an utterly fantastic horror novel. Angela Toussant inherited the Good House from her grandmother, a woman well known in the small Sacajawea, Washington, community for her “healing magic.” When Angela returns with her son for summer vacation, she hopes to draw on some of that magic to heal her broken marriage. Instead, a surprising and violent tragedy strikes, driving her into a deep depression. Years later, she returns with the aim of healing her own emotional wounds, only to instead begin to notice a pattern of tragedies that may all be connected to something restless living within her old family property.
Neil Gaiman’s The Sandman is one of my all-time favorite comic book series. When I learned that the characters would live on through stories told by different authors, I was both excited and wary. However, with Nalo Hopkinson (who is known for putting a Carribean spin on fantasy and horror), I knew the story would be in good hands. Her take, The House of Whispers is phenomenal, with gorgeous illustrations by DOMO.
Helen Oyeyemi’s White is for Witching is the story of the Silver family and their house in Dover, England, which has converted to a bed-and-breakfast. The house, however, has a will of its own — and though it loves the women of the family, it has a malice for strangers.
