Now Out: Myth+Magic

mythmagic

Myth+Magic is a collection of modern takes on old myth, fable, and fairy tale. Nothing is quite what it seems to be. Included in this edition are short works inspired folk tale, fable, fairy tale, gods, monsters, myth, magic, tricksters, divination, witchcraft, and herbalism. This handbound, limited edition (125) booklet includes poetry & fiction curated by the joint efforts of Porkbelly Press & Sugared Water staff.

It also includes one of my own poems!

Excerpts from some of the poets are available online, with information on how to purchase.

 

SciFi Reading

Her Smoke Rose Up Forever by James Tiptree, Jr.

Man is an animal whose dreams come true and kill him. 
— from “On the Last Afternoon”

One of my goals this year was to start reading books that have won the James Tiptree, Jr. Award, which is presented for stories that explore aspects of gender, primarily in SciFi and Fantasy. Since I was reading these award winners, I figured I should also read some of the work by the author after whom the award is named. James Tiptree, Jr. is a pseudonym for Alice Bradley Sheldon (and had a second pen name, Raccoona Sheldon), who wrote hard science fiction for years without readers knowing she was a woman.

Tiptree is a perfect namesake for this award because so many of her own stories explore gender and sexuality in challenging and innovative ways. These stories are intelligent, sometimes challenging, and often bleak.

“The Screwfly Solution,” which is one of the best short stories I’ve read in years, involves increasing numbers of attacks by men against women. Bits of news clips, letters, and diary entries are placed alongside the main narrative of a man trying to make it home to his wife and daughter amid the mounting chaos. The ending is fatalistic and powerful, haunting.

In “The Women Men Don’t See” a journalist on a trip into Mexico takes a flight on a small plane with a mother and daughter, whom he finds unsettlingly independent and not fitting into his expectations of how women should be. I can’t say much more about the story without giving too much away, but the exploration of gender roles becomes increasingly explicit.

“With Delicate Mad Hands” is the story of a woman with a facial deformity who has lived her entire life unloved by her fellow human beings who mock and abuse her. She perseveres through an inner secret drive to leave Earth’s solar system behind her, and she achieves this one day by stealing a ship and steering it solo to the stars. There is so much more to the story than that short description, but I don’t want to say anymore. Although as dark as any other of Tiptree’s stories, this was also sweet and romantic.

Another subset of stories explore sexual behavior through alien bodies and include stories such as “Love is the Plan the Plan is Death,” “On the Last Afternoon,” and “A Momentary Taste of Being.” The alien-ness of these creatures or beings is startling and often destructive to human existence.

Other stories reflect on moral complexities of human society. “The Last Flight of Doctor Ain,” for example presents bits and pieces of Doctor Ain’s last flight told through the points of view of the people who meet him along his journey (again, this tells too little, but it really is a thrilling story). In “We Who Stole the Dream” an alien race enacts a revolt against humanity which holds them captive, breaking free from slavery and suffering, only to find that the home they are returning to is not the dream-come-true they expected.

Although I didn’t necessarily love every story, reading this brick-thick collection was a fantastic experience. Tiptree was an amazing writer, a master of the genre. Her work is a must read for any science fiction fan.

The 2013 Rhysling Anthology

Edited by John C. Mannone

This is not really a review, because this anthology contains one of my poems. (I received my contributor’s copy two years ago and it’s taken me that long to getting around to actually reading it.)

The anthology, published by the Science Fiction Poetry Association (SFPA), comprises works nominated for the Rhysling Awards, which recognizes the best speculative poems published in the previous year. Below are the winners; I’ve included links to poems or poets, where I could find them.

Winners in the Short Poem Category:

First Place: “The Cat Star” by Terry A. Garey

Second Place: “Futurity’s Shoelaces” by Marge Simon

Third Place: “Sister Philomela Heard the Voices of Angels” by Megan Arkenberg

Winners in the Long Poem Category:

First Place: “Into Flight” by Andrew Robert Sutton

Second Place: “String Theory” by John Philip Johnson

Third Place (tie): “The Time Traveler’s Weekend” by Adele Gardner and
“The Necromantic Wine” by Wade German

In related news, I’ve decided to join the SFPA. In a large part this was to receive copies of the various publications as they come out, because I love speculative poetry, as well as to be able to participate in future voting when the time comes.

Three Mini Reviews for Three Mini Chapbooks of Poetry

I picked up each of these little books after being present at a reading by the authors, each of whom is a great performer with a unique and powerful voice. If you have the chance to catch them at any one of the many poetry events around the San Francisco bay area, I highly recommend you go have a listen.

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House and Home

by Jaz Sufi

Hand made with a string binding, House and Home is a gift of words, expressing raw wounds of body and heart, mind and soul. The poems explore love and its failures. They address the lives of women, revealing how they are damaged, while revealing a strength that allows them to reclaim their own power. What a gorgeous little collection.

Poetry is not the ship.
Poetry is not the captain.
Life is a constant storm, and poetry
is what we make of the wreckage,
what we cling to alone in the ocean.

— from “Better a Blacksmith Than a Writer, a Carpenter Than a Poet”

Jaz Sufi is a poet, a Bay Area native, and the slammaster of the Berkeley Slam, the longest running poetry slam in California.

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Reflections

by Jocelyn Deona De Leon
2005

Although only about the size of my hand, I don’t know if I can quite call Reflections mini at 62 pages.This collection is introspective and soulful, alternating between diary entries exploring and reflecting the author’s emotional space to individual poems sending messages to the world. These poems call upon the reader to ground themselves in the present moment, to look inside themselves, and to feel the world deeply.

moments flutter by like
butterfly wings slowly
floating you away from me.

i cannot catch you
because your freedom is exquisite.
it is the most explicit reminder that
the only way to love free is
to free love.

— from “Complicated Simplicity”

Jocelyn Deona de Leon writes poetry inspired by her Pilipino ancestral heritage and reflecting on experience through the eyes of love (see bio). She has toured nationally, sharing her words and energy with youth at various elementary, high school, and college campuses.

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Highku: 4 & 20 Poems About Marijuana

by Brennan ‘B Deep’ DeFrisco
Lucky Bastard Press, 2015

I don’t smoke, so normally I wouldn’t be interested in a book of poetry about pot. But when I saw this tiny, adorable little book, I couldn’t help but pick it up. The poems inside follow the traditional haiku 5-7-5 syllable format. Each tiny poem contains a single thought, some witty, some perceptive. A fun little read.

Nixon’s solution
for Vietnam protesters:
Arrest them for pot

Brennan ‘B Deep’ DeFrisco likes words and the way they move. He is an organizer and performer at the Berkeley Poetry Slam and will represent them for the second time in the upcoming 2015 National Poetry Slam. He is a co-founder of Lucky Bastard Press.

Poet Spotlight: Kristina Marie Darling on Mapping Heartbreak

Kristina Marie Darling is the author of over twenty collections of poetry and hybrid prose. Her writing has been described by literary critics as “haunting,” “mesmerizing,” and “complex.” She has been awarded with a number of fellowships and grants by both U.S. and overseas universities, institutes, and organizations. She is currently working toward both a Ph.D. in English Literature at S.U.N.Y.-Buffalo and an M.F.A. in Poetry at New York University. Here, Kristina shares a bit about her latest collection of poetry, hybrid art forms, and the act of writing as catharsis.

Kristina Marie Darling

Your most recent book of poetry is Failure Lyric. Tell us a bit about this project and how it came about.

Failure Lyric began as a series of erasures. I took a black marker to my four year correspondence with a male writer, who, out of respect for his work, will remain unnamed. What started out as an act of destruction became generative, since the hybrid prose pieces ultimately grew out of the erasures at the beginning and end of the book. Once I had erased every last email, note, and inscription, I started to write flash essays, which map my heartbreak and all of the unexpected places it brought me to: Saint Louis, Iowa, Burlington, and the now infamous Dallas/Fort Worth airport. So my initial attempts to destroy artifacts of the relationship became a documentary project, charting the crazy orbits that grief set me on.

Continue reading “Poet Spotlight: Kristina Marie Darling on Mapping Heartbreak”

Stand up and speak

I attended and performed in my first poetry slam event on Wednesday night last week. The Berkely Slam is held every  Wednesday at the Starry Plough Pub in (you guessed it) Berkeley, California. The event hosts a small workshop prior to opening sign ups, with readers chosen by lottery. Five random judges are chosen from the audience, which makes the tone very random. It is currently hosted by the amazing Jazz Sufi

The judges — or more specifically one judge — was kind of an ass that night, scoring almost everyone incredibly low, which was annoying. For the most part, however, I laughed along and was astounded by the work of so many amazing poets, Allie Marini among them, and had a fabulous time.

I read “The Things I Own.” I was incredibly nervous to read due to the contest atmosphere and because I knew poets tend to be well rehearsed at slams. But I surprised myself by feeling fairly confident when I performed and I got some nice feedback from the audience. The experience has me thinking that I should work on memorizing some poems and work on getting more confident with performing.

What I’m Reading

Rupetta by Nike Sulway is a fascinating read so far, featuring a robot/android being built in 1600s, who continues to live on over the centuries and ultimately becomes the center of civilization in the twentieth century. Beautiful writing and engaging world.

I’ve watching the mini-series on BBC, I’m rereading Jonathan Strange and Mr Norrell by Susanna Clarke via audio book, because there is so much that I don’t seem to remember, especially in regards to the fantastic footnotes.

Recently finished the wonderfully unsettling The Walls Around Us by Nova Ren Suma — book review with a giveaway will be posted shortly.

What I’m Writing

Just a little bit of writing got done last week, mostly on Tuesday night with some editing of a review I’ve been working on. I think I needed to take it easy in order to recover from the go-get-em attitude of the week before.

Submitted! A micro chapbook of ten pages to Porkbelly Press, called Sacred Ways.

Goal(s) for this week: Finish and submit a selection of poem(s).

Linky Goodness